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BEST SONG IN NEW DRAGONFORCE ALBUM FULL
Li added, "This is an exciting new era for DRAGONFORCE with Marc joining the band, so we figured this was an ideal time to take full control of our own destiny and establish our own record label for Europe. From the fastest song we've ever recorded to the slower songs, and some things you would never expect from us, this is by far the most diverse DRAGONFORCE album yet." "This time around we've really brought our metal side to the surface and made some of the best music of our career. Through writing, jamming and touring together, we have built this incredible energy and it has been fully captured on the new album. Guitarist Herman Li recently stated about "The Power Within", "The last two years have been the most fun we ever had making an album.
on April 16 via the band's own Electric Generation Recordings, distributed by Essential Music. "The Power Within" was released in the U.K. 18.ĭRAGONFORCE's recent North American headlining tour marked the band's first trek with new singer Marc Hudson, who also makes his recorded debut on "The Power Within". 74 on The Billboard 200 chart.ĭRAGONFORCE's previous CD, "Ultra Beatdown", opened with 24,000 units back in September 2008 to land at No. In fact, the song’s universality has turned it into an almost nondenominational and humanist hymn, blessed with an equivocal outlook that can magically give succor to all forms of love.Fan-filmed video footage of British epic power metallers DRAGONFORCE performing the song "Cry Thunder" on October 9 at 013 in Tilburg, The Netherlands can be seen below.ĭRAGONFORCE's new album, "The Power Within", sold 5,800 copies in the United States in its first week of release to debut at position No. Combining the fatalism of lines like ‘what good would living do me’ with the use of God in the title was risky business back in the mid-’60s. Once that miasmic mix of harpsichords and celestial brass clears, and that opening caveat is laid bare, we’re left with a heartbreakingly tender song of yearning, of devotion and of fidelity. The uncertainty of the first line (‘I may not always love you’) is a classic pop curveball, which works with the swooping transition from intro to verse. Three years later, Wilson and the Boys would surpass the master with a song that lifted the notion of the sophisticated love song clean into the heavens. In 1963, Brian Wilson was so obsessed with Phil Spector’s orchestral vision for the Ronettes’ ‘Be My Baby’ that he reportedly took to listening to it 100 times a day.